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	<title>Blog &#124; One, One Thousand &#124; Southern Photography &#187; 1:1000 Featured Photographers</title>
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	<description>One, One Thousand&#039;s Blog provides news, updates, and information about One, One Thousand &#124; Southern Photography</description>
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		<title>February 2013 Featured Photographer : Joe Leavenworth</title>
		<link>http://oneonethousand.org/blog/february-2013-featured-photographer-joe-leavenworth/</link>
		<comments>http://oneonethousand.org/blog/february-2013-featured-photographer-joe-leavenworth/#comments</comments>
		<pubDate>Tue, 26 Feb 2013 16:33:40 +0000</pubDate>
		<dc:creator>One, One Thousand</dc:creator>
				<category><![CDATA[1:1000 Featured Photographers]]></category>
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		<description><![CDATA[The subject matter of photographer Joe Leavenworth&#8217;s ongoing project &#8220;Native Son&#8221; is Atlanta&#8217;s city within the city, Decatur. Born but not raised in Decatur, GA, Leavenworth approaches the area as a self-aware outsider and creates a visual account of his &#8230; <a href="http://oneonethousand.org/blog/february-2013-featured-photographer-joe-leavenworth/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>The subject matter of photographer Joe Leavenworth&#8217;s ongoing project &#8220;Native Son&#8221; is Atlanta&#8217;s city within the city, Decatur. Born but not raised in Decatur, GA, Leavenworth approaches the area as a self-aware outsider and creates a visual account of his birthplace both personal and detailed in scope <a class="under" href="/photography/leavenworth/">Click here to see Joe Leavenworth&#8217;s project &#34;Native Son.&#34;</a></p>
<p style="text-align: center;"><a href="/photography/leavenworth/"><img class="aligncenter" title="Joe Leavenworth: Native Son | One, One Thousand | February 2013" src="/photography/leavenworth/leavenworth02.jpg" alt="Joe Leavenworth: Native Son" /></a></p>
<p style="text-align: center;"><a class="under" href="/photography/leavenworth/">Click here to see more of Joe Leavenworth&#8217;s &#34;Native Son.&#34;</a></p>
<p style="text-align: center;"><a href="/photography/leavenworth/"><img class="aligncenter" title="Joe Leavenworth: Native Son | One, One Thousand | February 2013" src="/photography/leavenworth/leavenworth14.jpg" alt="Joe Leavenworth: Native Son" /></a></p>
<p style="text-align: center;"><a class="under" href="/photography/leavenworth/">Click here to see more of Joe Leavenworth&#8217;s &#34;Native Son.&#34;</a></p>
<p><img src="/images/break-line.png" alt="" /></p>
<p><span style="font-size: xx-small;"><em>&#34;The greatest thing a human soul ever does in this world is to see something, and tell what it saw in a plain way. Hundreds of people can talk for one who can think, but thousands can think for one who can see. To see clearly is poetry, prophecy, and religion, <span style="font-family: Arial;">—</span> all in one.&#34; <span style="font-family: Arial;">—</span> John Ruskin</em></span></p>
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Subscribe to <a class="under" href="/rss/" target="_blank"><img src="/images/feed-icons/feed.gif" alt="Feed Icon" /> <em>One, One Thousand&#8217;s</em> Blog Feed</a>.</span></p>
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		<title>February 2013 Featured Photographer : Jerry Siegel</title>
		<link>http://oneonethousand.org/blog/february-2013-featured-photographer-jerry-siegel/</link>
		<comments>http://oneonethousand.org/blog/february-2013-featured-photographer-jerry-siegel/#comments</comments>
		<pubDate>Tue, 19 Feb 2013 16:58:39 +0000</pubDate>
		<dc:creator>One, One Thousand</dc:creator>
				<category><![CDATA[1:1000 Featured Photographers]]></category>

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		<description><![CDATA[Jerry Siegel&#8217;s photography project &#8220;Black Belt Color&#8221; is at once a poem about Selma, Alabama, and an early eulogy to the hometown of his memory. This selection from his larger project focuses solely on his panoramic color photographs — work &#8230; <a href="http://oneonethousand.org/blog/february-2013-featured-photographer-jerry-siegel/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>Jerry Siegel&#8217;s photography project &#8220;Black Belt Color&#8221; is at once a poem about Selma, Alabama, and an early eulogy to the hometown of his memory. This selection from his larger project focuses solely on his panoramic color photographs — work which skillfully demonstrates the visual capabilities of the panoramic medium. <a class="under" href="/photography/siegel/">Click here to see Jerry Siegel&#8217;s project &#34;Black Belt Color.&#34;</a></p>
<p><span style="font-size: 13px; line-height: 18px; color: #000000;"><a href="/photography/siegel/"><img class="aligncenter" title="Jerry Siegel: Black Belt Color | One, One Thousand | February 2013" src="/photography/siegel/siegel01.jpg" alt="Jerry Siegel: Black Belt Color" /></a></span></p>
<p style="text-align: center;"><a class="under" href="/photography/siegel/">Click here to see more of Jerry Siegel&#8217;s &#34;Black Belt Color.&#34;</a></p>
<p style="text-align: center;"><a href="/photography/siegel/"><img class="aligncenter" title="Jerry Siegel: Black Belt Color | One, One Thousand | February 2013" src="/photography/siegel/siegel02.jpg" alt="Jerry Siegel: Black Belt Color" /></a></p>
<p style="text-align: center;"><a class="under" href="/photography/siegel/">Click here to see more of Jerry Siegel&#8217;s &#34;Black Belt Color.&#34;</a></p>
<p style="text-align: center;"><a href="/photography/siegel/"><img class="aligncenter" title="Jerry Siegel: Black Belt Color | One, One Thousand | February 2013" src="/photography/siegel/siegel11.jpg" alt="Jerry Siegel: Black Belt Color" /></a></p>
<p style="text-align: center;"><a class="under" href="/photography/siegel/">Click here to see more of Jerry Siegel&#8217;s &#34;Black Belt Color.&#34;</a></p>
<p><img src="/images/break-line.png" alt="" /></p>
<p><span style="font-size: xx-small;"><em>&#34;The greatest thing a human soul ever does in this world is to see something, and tell what it saw in a plain way. Hundreds of people can talk for one who can think, but thousands can think for one who can see. To see clearly is poetry, prophecy, and religion, <span style="font-family: Arial;">—</span> all in one.&#34; <span style="font-family: Arial;">—</span> John Ruskin</em></span></p>
<p><span style="font-size: xx-small;">You can friend <em>One, One Thousand</em> on <a class="under" href="http://www.facebook.com/pages/One-One-Thousand-A-Publication-of-Southern-Photography/123594087683754" target="_blank"><img src="/blog/wp-content/plugins/light-social/facebook.png" alt="" /> Facebook</a>, and follow us on <a class="under" href="http://twitter.com/One_OneThousand" target="_blank"><img src="/blog/wp-content/plugins/light-social/twitter.png" alt="" /> Twitter</a>.<br />
Subscribe to <a class="under" href="/rss/" target="_blank"><img src="/images/feed-icons/feed.gif" alt="Feed Icon" /> <em>One, One Thousand&#8217;s</em> Blog Feed</a>.</span></p>
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		<title>Susan Worsham: Juror Selection One, One Thousand 2 Year Anniversary</title>
		<link>http://oneonethousand.org/blog/susan-worsham-juror-selection-one-one-thousand-2-year-anniversary/</link>
		<comments>http://oneonethousand.org/blog/susan-worsham-juror-selection-one-one-thousand-2-year-anniversary/#comments</comments>
		<pubDate>Thu, 31 Jan 2013 14:57:18 +0000</pubDate>
		<dc:creator>One, One Thousand</dc:creator>
				<category><![CDATA[1:1000 Featured Photographers]]></category>

		<guid isPermaLink="false">http://oneonethousand.org/blog/?p=1679</guid>
		<description><![CDATA[&#8220;Susan Worsham is a photographic artist who uses her camera to create perfect Southern novelas, complete with plots that describe personal history, nuances of forgotten spaces, and the people that shape her world. Susan has the remarkable ability to celebrate &#8230; <a href="http://oneonethousand.org/blog/susan-worsham-juror-selection-one-one-thousand-2-year-anniversary/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p><span style="font-size: 13px; line-height: 18px; color: #000000;"><a href="/photography/worsham-bittersweet-on-bostwick-lane/"><img class="aligncenter" title="Susan Worsham: Bittersweet On Bostwick Lane | One, One Thousand | January 2013" src="/photography/worsham-bittersweet-on-bostwick-lane/worsham07.jpg" alt="Susan Worsham: Bittersweet On Bostwick Lane" /></a></span></p>
<blockquote><p>&#8220;Susan Worsham is a photographic artist who uses her camera to create perfect Southern novelas, complete with plots that describe personal history, nuances of forgotten spaces, and the people that shape her world.  Susan has the remarkable ability to celebrate the ordinary and the overlooked in a world where life moves by in a blur.  Her photographs have the cadence of colorful, slowed-down days that keep the past and the present in glorious focus.&#8221; — <span style="font-size: 11px;">Aline Smithson, Editor of <a href="http://www.lenscratch.com/" target="_blank">Lenscratch</a></span></p></blockquote>
<p><span style="font-size: 13px; line-height: 18px; color: #000000;"><a href="/photography/worsham-bittersweet-on-bostwick-lane/"><img class="aligncenter" title="Susan Worsham: Bittersweet On Bostwick Lane | One, One Thousand | January 2013" src="/photography/worsham-bittersweet-on-bostwick-lane/worsham11.jpg" alt="Susan Worsham: Bittersweet On Bostwick Lane" /></a></span></p>
<p style="text-align: center;"><a class="under" href="/photography/worsham-bittersweet-on-bostwick-lane/">Click here to see more of Susan Worsham&#8217;s &#34;Bittersweet On Bostwick Lane.&#34;</a></p>
<p style="text-align: center;"><a href="/photography/worsham-bittersweet-on-bostwick-lane/"><img class="aligncenter" title="Susan Worsham: Bittersweet On Bostwick Lane | One, One Thousand | January 2013" src="/photography/worsham-bittersweet-on-bostwick-lane/worsham15.jpg" alt="Susan Worsham: Bittersweet On Bostwick Lane" /></a></p>
<p style="text-align: center;"><a class="under" href="/photography/worsham-bittersweet-on-bostwick-lane/">Click here to see more of Susan Worsham&#8217;s &#34;Bittersweet On Bostwick Lane.&#34;</a></p>
<p><img src="/images/break-line.png" alt="" /></p>
<p><strong>Editor&#8217;s Note:</strong> Susan Worsham was selected for inclusion in our 2 Year Anniversary edition by juror, Aline Smithson. You can view another selection of Worsham&#8217;s photography previously featured in our publication in <a class="under" href="http://oneonethousand.org/photographers/worsham/">October 2011</a>. You can also visit Worsham&#8217;s website <a class="under" href="http://susanworshamphotography.com/home.html" target="_blank">susanworshamphotography.com</a> to view more of her work.</p>
<p><img src="http://oneonethousand.org/images/break-line.png" alt="" /></p>
<p><span style="font-size: xx-small;"><em>&#34;The greatest thing a human soul ever does in this world is to see something, and tell what it saw in a plain way. Hundreds of people can talk for one who can think, but thousands can think for one who can see. To see clearly is poetry, prophecy, and religion, <span style="font-family: Arial;">—</span> all in one.&#34; <span style="font-family: Arial;">—</span> John Ruskin</em></span></p>
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		<title>Dawn Roe: Juror Selection One, One Thousand 2 Year Anniversary</title>
		<link>http://oneonethousand.org/blog/dawn-roe-juror-selection-one-one-thousand-2-year-anniversary/</link>
		<comments>http://oneonethousand.org/blog/dawn-roe-juror-selection-one-one-thousand-2-year-anniversary/#comments</comments>
		<pubDate>Mon, 28 Jan 2013 16:57:24 +0000</pubDate>
		<dc:creator>One, One Thousand</dc:creator>
				<category><![CDATA[1:1000 Featured Photographers]]></category>

		<guid isPermaLink="false">http://oneonethousand.org/blog/?p=1672</guid>
		<description><![CDATA[&#8220;Dawn Roe&#8217;s photographs of her daily surroundings are relevant and fresh in terms of expanding ideas of how photography can work as a vehicle for exploring experienced and recorded time. She forms part of an important contemporary dialogue with others &#8230; <a href="http://oneonethousand.org/blog/dawn-roe-juror-selection-one-one-thousand-2-year-anniversary/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p><span style="font-size: 13px; line-height: 18px; color: #000000;"><a href="/photography/roe/"><img class="aligncenter" title="Dawn Roe: No One Was With Her When She Died | One, One Thousand | January 2013" src="/photography/roe/roe09.jpg" alt="Dawn Roe: No One Was With Her When She Died" /></a></span></p>
<blockquote><p>&#8220;Dawn Roe&#8217;s photographs of her daily surroundings are relevant and fresh in terms of expanding ideas of how photography can work as a vehicle for exploring experienced and recorded time. She forms part of an important contemporary dialogue with others exploring lines of thought on time and sequence. The images also reflect a sense of intimate investigation and prolonged observation, relatives of the Southern archetype of time slowed, creating a link between her practice and where she works.&#8221; — <span style="font-size: 11px;">Tom Griggs, <a href="http://www.tomgriggs.net/" target="_blank">Photographer</a> and Editor of <a href="http://www.fototazo.com/" target="_blank">fototazo</a></span></p></blockquote>
<p><span style="font-size: 13px; line-height: 18px; color: #000000;"><a href="/photography/roe/"><img class="aligncenter" title="Dawn Roe: No One Was With Her When She Died | One, One Thousand | January 2013" src="/photography/roe/roe03.jpg" alt="Dawn Roe: No One Was With Her When She Died" /></a></span></p>
<p style="text-align: center;"><a class="under" href="/photography/roe/">Click here to see more of Dawn Roe&#8217;s &#34;No One Was With Her When She Died.&#34;</a></p>
<p style="text-align: center;"><a href="/photography/roe/"><img class="aligncenter" title="Dawn Roe: No One Was With Her When She Died | One, One Thousand | January 2013" src="/photography/roe/roe02.jpg" alt="Dawn Roe: No One Was With Her When She Died" /></a></p>
<p style="text-align: center;"><a class="under" href="/photography/roe/">Click here to see more of Dawn Roe&#8217;s &#34;No One Was With Her When She Died.&#34;</a></p>
<p><img src="/images/break-line.png" alt="" /></p>
<p><strong>Editor&#8217;s Note:</strong> Dawn Roe was selected for inclusion in our 2 Year Anniversary edition by juror, Tom Griggs. You can view a selection of Roe&#8217;s photography at her website <a class="under" href="http://dawnroephotography.com/DawnRoe/Home.html" target="_blank">dawnroephotography.com</a>.</p>
<p><img src="http://oneonethousand.org/images/break-line.png" alt="" /></p>
<p><span style="font-size: xx-small;"><em>&#34;The greatest thing a human soul ever does in this world is to see something, and tell what it saw in a plain way. Hundreds of people can talk for one who can think, but thousands can think for one who can see. To see clearly is poetry, prophecy, and religion, <span style="font-family: Arial;">—</span> all in one.&#34; <span style="font-family: Arial;">—</span> John Ruskin</em></span></p>
<p><span style="font-size: xx-small;">You can friend <em>One, One Thousand</em> on <a class="under" href="http://www.facebook.com/pages/One-One-Thousand-A-Publication-of-Southern-Photography/123594087683754" target="_blank"><img src="/blog/wp-content/plugins/light-social/facebook.png" alt="" /> Facebook</a>, and follow us on <a class="under" href="http://twitter.com/One_OneThousand" target="_blank"><img src="/blog/wp-content/plugins/light-social/twitter.png" alt="" /> Twitter</a>.<br />
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		<title>Deb Schwedhelm: Juror Selection One, One Thousand 2 Year Anniversary</title>
		<link>http://oneonethousand.org/blog/deb-schwedhelm-juror-selection-one-one-thousand-2-year-anniversary/</link>
		<comments>http://oneonethousand.org/blog/deb-schwedhelm-juror-selection-one-one-thousand-2-year-anniversary/#comments</comments>
		<pubDate>Wed, 23 Jan 2013 14:55:14 +0000</pubDate>
		<dc:creator>One, One Thousand</dc:creator>
				<category><![CDATA[1:1000 Featured Photographers]]></category>

		<guid isPermaLink="false">http://oneonethousand.org/blog/?p=1664</guid>
		<description><![CDATA[&#8220;I was immediately drawn to Deb&#8217;s mysterious yet playful underwater photographs of her children. Beautiful compositions that embody both a peaceful tone as well as a glimpse into the boundless exploration of childhood. The overall mood of time standing still &#8230; <a href="http://oneonethousand.org/blog/deb-schwedhelm-juror-selection-one-one-thousand-2-year-anniversary/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p><span style="font-size: 13px; line-height: 18px; color: #000000;"><a href="/photography/schwedhelm/"><img class="aligncenter" title="Deb Schwedhelm: Whispers from the Sea | One, One Thousand | January 2013" src="/photography/schwedhelm/schwedhelm03.jpg" alt="Deb Schwedhelm: Whispers from the Sea" /></a></span></p>
<blockquote><p>&#8220;I was immediately drawn to Deb&#8217;s mysterious yet playful underwater photographs of her children. Beautiful compositions that embody both a peaceful tone as well as a glimpse into the boundless exploration of childhood. The overall mood of time standing still and a mother creating a memory.&#8221; — <span style="font-size: 11px;">Maggie Brett Kennedy, Photography Director at <a href="http://gardenandgun.com/" target="_blank">Garden &#038; Gun</a></span></p></blockquote>
<p><span style="font-size: 13px; line-height: 18px; color: #000000;"><a href="/photography/schwedhelm/"><img class="aligncenter" title="Deb Schwedhelm: Whispers from the Sea | One, One Thousand | January 2013" src="/photography/schwedhelm/schwedhelm10.jpg" alt="Deb Schwedhelm: Whispers from the Sea" /></a></span></p>
<p style="text-align: center;"><a class="under" href="/photography/schwedhelm/">Click here to see more of Deb Schwedhelm&#8217;s &#34;Whispers from the Sea.&#34;</a></p>
<p style="text-align: center;"><a href="/photography/schwedhelm/"><img class="aligncenter" title="Deb Schwedhelm: Whispers from the Sea | One, One Thousand | January 2013" src="/photography/schwedhelm/schwedhelm06.jpg" alt="Deb Schwedhelm: Whispers from the Sea" /></a></p>
<p style="text-align: center;"><a class="under" href="/photography/schwedhelm/">Click here to see more of Deb Schwedhelm&#8217;s &#34;Whispers from the Sea.&#34;</a></p>
<p><img src="/images/break-line.png" alt="" /></p>
<p><strong>Editor&#8217;s Note:</strong> Deb Schwedhelm was selected for inclusion in our 2 Year Anniversary edition by juror, Maggie Brett Kennedy. You can view a selection of Schwedhelm&#8217;s photography at her website <a class="under" href="http://www.debschwedhelm.com/" target="_blank">debschwedhelm.com</a>.</p>
<p><img src="http://oneonethousand.org/images/break-line.png" alt="" /></p>
<p><span style="font-size: xx-small;"><em>&#34;The greatest thing a human soul ever does in this world is to see something, and tell what it saw in a plain way. Hundreds of people can talk for one who can think, but thousands can think for one who can see. To see clearly is poetry, prophecy, and religion, <span style="font-family: Arial;">—</span> all in one.&#34; <span style="font-family: Arial;">—</span> John Ruskin</em></span></p>
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		<title>Lisa Elmaleh: Juror Selection One, One Thousand 2 Year Anniversary</title>
		<link>http://oneonethousand.org/blog/lisa-elmaleh-juror-selection-one-one-thousand-2-year-anniversary/</link>
		<comments>http://oneonethousand.org/blog/lisa-elmaleh-juror-selection-one-one-thousand-2-year-anniversary/#comments</comments>
		<pubDate>Thu, 17 Jan 2013 15:01:58 +0000</pubDate>
		<dc:creator>One, One Thousand</dc:creator>
				<category><![CDATA[1:1000 Featured Photographers]]></category>
		<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://oneonethousand.org/blog/?p=1645</guid>
		<description><![CDATA[&#8220;Lisa Elmaleh&#8217;s portraits of American folk musicians resonate with grace and honesty. That she uses the historic collodion process to render these intimate character studies demonstrates a perfect marriage of form and content; slow and deliberate, richly lyrical. Captured in &#8230; <a href="http://oneonethousand.org/blog/lisa-elmaleh-juror-selection-one-one-thousand-2-year-anniversary/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p><span style="font-size: 13px; line-height: 18px; color: #000000;"><a href="/photography/elmaleh-american-folk/"><img class="aligncenter" title="Lisa Elmaleh: American Folk | One, One Thousand | January 2013" src="/photography/elmaleh-american-folk/elmaleh12.jpg" alt="Lisa Elmaleh: American Folk" /></a></span></p>
<blockquote><p>&#8220;Lisa Elmaleh&#8217;s portraits of American folk musicians resonate with grace and honesty. That she uses the historic collodion process to render these intimate character studies demonstrates a perfect marriage of form and content; slow and deliberate, richly lyrical. Captured in rural settings across the south, each evocative image reads like a story. Elmeleh&#8217;s series depicts both old timers and a younger generation of roots musicians,  leaving the viewer with a deeper appreciation of the genre.&#8221; — <span style="font-size: 11px;">Jennifer Shaw, <a href="http://jennifershaw.net/" target="_blank">Photographer</a> and Coordinator of <a href="http://photonola.org/" target="_blank">PhotoNola</a></span></p></blockquote>
<p><span style="font-size: 13px; line-height: 18px; color: #000000;"><a href="/photography/elmaleh-american-folk/"><img class="aligncenter" title="Lisa Elmaleh: American Folk | One, One Thousand | January 2013" src="/photography/elmaleh-american-folk/elmaleh02.jpg" alt="Lisa Elmaleh: American Folk" /></a></span></p>
<p style="text-align: center;"><a class="under" href="/photography/elmaleh-american-folk/">Click here to see more of Lisa Elmaleh&#8217;s &#34;American Folk.&#34;</a></p>
<p style="text-align: center;"><a href="/photography/elmaleh-american-folk/"><img class="aligncenter" title="Lisa Elmaleh: American Folk | One, One Thousand | January 2013" src="/photography/elmaleh-american-folk/elmaleh10.jpg" alt="Lisa Elmaleh: American Folk" /></a></p>
<p style="text-align: center;"><a class="under" href="/photography/elmaleh-american-folk/">Click here to see more of Lisa Elmaleh&#8217;s &#34;American Folk.&#34;</a></p>
<p><img src="/images/break-line.png" alt="" /></p>
<p><strong>Editor&#8217;s Note:</strong> Lisa Elmaleh was selected for inclusion in our 2 Year Anniversary edition by juror, Jennifer Shaw. You can view another selection of Elmaleh&#8217;s photography previously featured in our publication in <a class="under" href="http://oneonethousand.org/photographers/elmaleh/">May 2012</a>. You can also visit Elmaleh&#8217;s website <a class="under" href="http://lisaelmaleh.com/" target="_blank">lisaelmaleh.com</a> to view more of her work.</p>
<p><img src="http://oneonethousand.org/images/break-line.png" alt="" /></p>
<p><span style="font-size: xx-small;"><em>&#34;The greatest thing a human soul ever does in this world is to see something, and tell what it saw in a plain way. Hundreds of people can talk for one who can think, but thousands can think for one who can see. To see clearly is poetry, prophecy, and religion, <span style="font-family: Arial;">—</span> all in one.&#34; <span style="font-family: Arial;">—</span> John Ruskin</em></span></p>
<p><span style="font-size: xx-small;">You can friend <em>One, One Thousand</em> on <a class="under" href="http://www.facebook.com/pages/One-One-Thousand-A-Publication-of-Southern-Photography/123594087683754" target="_blank"><img src="/blog/wp-content/plugins/light-social/facebook.png" alt="" /> Facebook</a>, and follow us on <a class="under" href="http://twitter.com/One_OneThousand" target="_blank"><img src="/blog/wp-content/plugins/light-social/twitter.png" alt="" /> Twitter</a>.<br />
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		<title>November 2012 Featured Photographer : Allison Barnes</title>
		<link>http://oneonethousand.org/blog/october-2012-featured-photographer-allison-barnes/</link>
		<comments>http://oneonethousand.org/blog/october-2012-featured-photographer-allison-barnes/#comments</comments>
		<pubDate>Mon, 05 Nov 2012 17:00:25 +0000</pubDate>
		<dc:creator>One, One Thousand</dc:creator>
				<category><![CDATA[1:1000 Featured Photographers]]></category>

		<guid isPermaLink="false">http://oneonethousand.org/blog/?p=1615</guid>
		<description><![CDATA[Allison Barnes&#8217; project &#34;Autobiogeography&#34; investigates the temporal and interconnected makeup of both geography and personal experience. Using photographic prints as documents of her movement through time and landscape, Barnes explores all manner of imprints left by animal and nature. Click &#8230; <a href="http://oneonethousand.org/blog/october-2012-featured-photographer-allison-barnes/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>Allison Barnes&#8217; project &#34;Autobiogeography&#34; investigates the temporal and interconnected makeup of both geography and personal experience. Using photographic prints as documents of her movement through time and landscape, Barnes explores all manner of imprints left by animal and nature. <a class="under" href="/photography/barnes/">Click here to see Allison Barnes&#8217;s project &#34;Autobiogeography.&#34;</a></p>
<p><span style="font-size: 13px; line-height: 18px; color: #000000;"><a href="/photography/barnes/"><img class="aligncenter" title="Allison Barnes: Autobiogeography | One, One Thousand | November 2012" src="/photography/barnes/barnes01.jpg" alt="Allison Barnes: Autobiogeography" /></a></span></p>
<p style="text-align: center;"><a class="under" href="/photography/barnes/">Click here to see more of Allison Barnes&#8217;s &#34;Autobiogeography.&#34;</a></p>
<p style="text-align: center;"><a href="/photography/barnes/"><img class="aligncenter" title="Allison Barnes: Autobiogeography | One, One Thousand | November 2012" src="/photography/barnes/barnes09.jpg" alt="Allison Barnes: Autobiogeography" /></a></p>
<p style="text-align: center;"><a class="under" href="/photography/barnes/">Click here to see more of Allison Barnes&#8217;s &#34;Autobiogeography.&#34;</a></p>
<p><img src="/images/break-line.png" alt="" /></p>
<p><span style="font-size: xx-small;"><em>&#34;The greatest thing a human soul ever does in this world is to see something, and tell what it saw in a plain way. Hundreds of people can talk for one who can think, but thousands can think for one who can see. To see clearly is poetry, prophecy, and religion, <span style="font-family: Arial;">—</span> all in one.&#34; <span style="font-family: Arial;">—</span> John Ruskin</em></span></p>
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		<title>November 2012 Featured Photographer : Eleanor Owen Kerr</title>
		<link>http://oneonethousand.org/blog/november-2012-featured-photographer-eleanor-owen-kerr/</link>
		<comments>http://oneonethousand.org/blog/november-2012-featured-photographer-eleanor-owen-kerr/#comments</comments>
		<pubDate>Mon, 05 Nov 2012 17:00:19 +0000</pubDate>
		<dc:creator>One, One Thousand</dc:creator>
				<category><![CDATA[1:1000 Featured Photographers]]></category>

		<guid isPermaLink="false">http://oneonethousand.org/blog/?p=1616</guid>
		<description><![CDATA[In French, the word &#34;batture&#34; signifies the land that is &#34;beaten on&#34; by the river. Eleanor Owen Kerr&#8217;s photography project &#34;On the Batture&#34; examines the untouched space in Louisiana — both too shallow for ships to pass and too wet &#8230; <a href="http://oneonethousand.org/blog/november-2012-featured-photographer-eleanor-owen-kerr/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>In French, the word &#34;batture&#34; signifies the land that is &#34;beaten on&#34; by the river. Eleanor Owen Kerr&#8217;s photography project &#34;On the Batture&#34; examines the untouched space in Louisiana <span style="font-family: Arial;">—</span> both too shallow for ships to pass and too wet for development <span style="font-family: Arial;">—</span> that exists between the Mississippi River and its levees. <a class="under" href="/photography/kerr/">Click here to see Eleanor Owen Kerr&#8217;s project &#34;On the Batture.&#34;</a></p>
<p><span style="font-size: 13px; line-height: 18px; color: #000000;"><a href="/photography/kerr/"><img class="aligncenter" title="Eleanor Owen Kerr: On the Batture | One, One Thousand | November 2012" src="/photography/kerr/kerr08.jpg" alt="Eleanor Owen Kerr: On the Batture" /></a></span></p>
<p style="text-align: center;"><a class="under" href="/photography/kerr/">Click here to see more of Eleanor Owen Kerr&#8217;s &#34;On the Batture.&#34;</a></p>
<p style="text-align: center;"><a href="/photography/kerr/"><img class="aligncenter" title="Eleanor Owen Kerr: On the Batture | One, One Thousand | November 2012" src="/photography/kerr/kerr14.jpg" alt="Eleanor Owen Kerr: On the Batture" /></a></p>
<p style="text-align: center;"><a class="under" href="/photography/kerr/">Click here to see more of Eleanor Owen Kerr&#8217;s &#34;On the Batture.&#34;</a></p>
<p><img src="/images/break-line.png" alt="" /></p>
<p><span style="font-size: xx-small;"><em>&#34;The greatest thing a human soul ever does in this world is to see something, and tell what it saw in a plain way. Hundreds of people can talk for one who can think, but thousands can think for one who can see. To see clearly is poetry, prophecy, and religion, <span style="font-family: Arial;">—</span> all in one.&#34; <span style="font-family: Arial;">—</span> John Ruskin</em></span></p>
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Subscribe to <a class="under" href="/rss/" target="_blank"><img src="/images/feed-icons/feed.gif" alt="Feed Icon" /> <em>One, One Thousand&#8217;s</em> Blog Feed</a>.</span></p>
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		<title>October 2012 Featured Photographer : Rick Olivier</title>
		<link>http://oneonethousand.org/blog/october-2012-featured-photographer-rick-olivier/</link>
		<comments>http://oneonethousand.org/blog/october-2012-featured-photographer-rick-olivier/#comments</comments>
		<pubDate>Mon, 01 Oct 2012 13:01:25 +0000</pubDate>
		<dc:creator>One, One Thousand</dc:creator>
				<category><![CDATA[1:1000 Featured Photographers]]></category>

		<guid isPermaLink="false">http://oneonethousand.org/blog/?p=1569</guid>
		<description><![CDATA[Les haricots ne sont pas salés. Combining aspects of Cajun, blues, and many other musical styles, Zydeco music has flourished in southwest Louisiana since it&#8217;s evolution around the early 19th century. In his project &#34;Zydeco,&#34; Rick Olivier documents the clubs &#8230; <a href="http://oneonethousand.org/blog/october-2012-featured-photographer-rick-olivier/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>Les haricots ne sont pas salés. Combining aspects of Cajun, blues, and many other musical styles, Zydeco music has flourished in southwest Louisiana since it&#8217;s evolution around the early 19th century. In his project &#34;Zydeco,&#34; Rick Olivier documents the clubs and musicians of Acadiana, showing viewers the modern faces of zydeco in the region. <a class="under" href="http://oneonethousand.org/photographers/olivier/">Click here to see Rick Olivier&#8217;s project &#34;Zydeco&#34;</a></p>
<p><span style="font-size: 13px; line-height: 18px; color: #000000;"><a href="http://oneonethousand.org/photographers/olivier/"><img class="aligncenter" title="Rick Olivier: Zydeco | One, One Thousand | October 2012" src="http://oneonethousand.org/photographers/olivier/olivier04.jpg" alt="Rick Olivier: Zydeco" /></a></span></p>
<p style="text-align: center;"><a class="under" href="http://oneonethousand.org/photographers/olivier/">Click here to see more of Rick Olivier&#8217;s &#34;Zydeco&#34;</a></p>
<p style="text-align: center;"><a href="http://oneonethousand.org/photographers/olivier/"><img class="aligncenter" title="Rick Olivier: Zydeco | One, One Thousand | October 2012" src="http://oneonethousand.org/photographers/olivier/olivier08.jpg" alt="Rick Olivier: Zydeco" /></a></p>
<p style="text-align: center;"><a class="under" href="http://oneonethousand.org/photographers/olivier/">Click here to see more of Rick Olivier&#8217;s &#34;Zydeco&#34;</a></p>
<p><img src="http://oneonethousand.org/images/break-line.png" alt="" /></p>
<p><span style="font-size: xx-small;"><em>&#34;The greatest thing a human soul ever does in this world is to see something, and tell what it saw in a plain way. Hundreds of people can talk for one who can think, but thousands can think for one who can see. To see clearly is poetry, prophecy, and religion, <span style="font-family: Arial;">—</span> all in one.&#34; <span style="font-family: Arial;">—</span> John Ruskin</em></span></p>
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		<title>October 2012 Featured Photographer : Kevin Kline</title>
		<link>http://oneonethousand.org/blog/october-2012-featured-photographer-kevin-kline/</link>
		<comments>http://oneonethousand.org/blog/october-2012-featured-photographer-kevin-kline/#comments</comments>
		<pubDate>Mon, 01 Oct 2012 12:59:41 +0000</pubDate>
		<dc:creator>One, One Thousand</dc:creator>
				<category><![CDATA[1:1000 Featured Photographers]]></category>

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		<description><![CDATA[Following in the tradition of personal documentarians such as Diane Arbus, photographer Kevin Kline compassionately examines both the banality and eccentricity of everyday life. The black and white portraits in Kline&#8217;s project &#34;someday you will be a memory&#34; focus on &#8230; <a href="http://oneonethousand.org/blog/october-2012-featured-photographer-kevin-kline/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>Following in the tradition of personal documentarians such as Diane Arbus, photographer Kevin Kline compassionately examines both the banality and eccentricity of everyday life. The black and white portraits in Kline&#8217;s project &#34;someday you will be a memory&#34; focus on subjects from several New Orleans&#8217; neighborhoods including the Bywater, Saint Roch, Saint Claude, and Saint Bernard. <a class="under" href="http://oneonethousand.org/photographers/kline/">Click here to see Kevin Kline&#8217;s project &#34;someday you will be a memory&#34;</a></p>
<p><span style="font-size: 13px; line-height: 18px; color: #000000;"><a href="http://oneonethousand.org/photographers/kline/"><img class="aligncenter" title="Kevin Kline: someday you will be a memory | One, One Thousand | October 2012" src="http://oneonethousand.org/photographers/kline/kline06.jpg" alt="Kevin Kline: someday you will be a memory" /></a></span></p>
<p style="text-align: center;"><a class="under" href="http://oneonethousand.org/photographers/kline/">Click here to see more of Kevin Kline&#8217;s &#34;someday you will be a memory&#34;</a></p>
<p style="text-align: center;"><a href="http://oneonethousand.org/photographers/kline/"><img class="aligncenter" title="Kevin Kline: someday you will be a memory | One, One Thousand | October 2012" src="http://oneonethousand.org/photographers/kline/kline05.jpg" alt="Kevin Kline: someday you will be a memory" /></a></p>
<p style="text-align: center;"><a class="under" href="http://oneonethousand.org/photographers/kline/">Click here to see more of Kevin Kline&#8217;s &#34;someday you will be a memory&#34;</a></p>
<p><img src="http://oneonethousand.org/images/break-line.png" alt="" /></p>
<p><span style="font-size: xx-small;"><em>&#34;The greatest thing a human soul ever does in this world is to see something, and tell what it saw in a plain way. Hundreds of people can talk for one who can think, but thousands can think for one who can see. To see clearly is poetry, prophecy, and religion, <span style="font-family: Arial;">—</span> all in one.&#34; <span style="font-family: Arial;">—</span> John Ruskin</em></span></p>
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