March 2011 Featured Photographer : Jonathan Traviesa

Jonathan Traviesa has photographed a close circle of New Orleanians for more than a decade. Now he’s turning his attention to New Orleans’ newest residentsthe Latino immigrants, social service workers, and artists who are reshaping the city post-Katrina. Click here to see Traviesa’s project.

Jonathan Traviesa: New Portraits in New Orleans

Click here to see more of New Portraits in New Orleans.

Jonathan Traviesa: New Portraits of New Orleans

Click here to see more of New Portraits of New Orleans.

"The greatest thing a human soul ever does in this world is to see something, and tell what it saw in a plain way. Hundreds of people can talk for one who can think, but thousands can think for one who can see. To see clearly is poetry, prophecy, and religion, all in one." John Ruskin

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Photography Grants and Open Calls (March 2011)

Every month, we try to collect information about grants, exhibitions, residencies, open calls, etc., that might interest you. This time we’ve got details about an exhibition for North Carolinians, a documentary photography exhibition in New York and Washington, D.C., and an international fund for humanitarian and environmental photography projects:

DOMA Gallery Call for Entries: Eyes of Carolina

DOMA Gallery Call for Entries

The DOMA GALLERY is a fine art photography gallery in Charlotte, North Carolina. "Eyes of Carolina" is a juried exhibition of fine art photography to showcase North Carolina’s finest photographers. The juror for the exhibition will select 5 artists as the finalists for the exhibition. The selected artist’s images will be exhibited at DOMA Gallery from June 30th to September 3rd. The opening reception will be held on June 30th. Press releases will announce the winners in mid June.

What you get: A spot in the "Eyes of Carolina" exhibition
Who can apply: Any photographer who lives or has lived in North Carolina
It’s gonna set you back: $20
Who’s gonna see your work: Larry Wheeler, the Director of the North Carolina Museum of Art located in Raleigh, North Carolina
When’s the deadline: June 2nd, 2011

For more information, please view: The DOMA Gallery call for entries.

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Visual Influences Series:
Michael Sebastian


Alec Soth, Joshua, Angola State Prison, Louisiana 2002

I like many of Soth’s images, and his connections to his three predecessors are apparent. But he does far more portraiture than at least Shore or Sternfeld. I love his straightforward style, technical mastery, and keen eye for the quirky or discordant. In this image, though, what stands out is the look of hardened sadness in the subject’s eyes. I find myself feeling what this young man must feel, contemplating other paths he might have taken, and the long years ahead of him in the hellhole of Angola State Prison (I’m from Louisiana, so I know what that means).

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Posted in Uncategorized, Visual Influences Series | 1 Comment

March 2011 Featured Photographer : Donna Pinckley

Ralph Waldo Emerson once wrote that "a child is a curly, dimpled lunatic." This selection of photographs from Donna Pinckley’s Southern Depictions does not completely contradict the sentiment, but it does help dignify the complexities of adolescence. Click here to see Pinckley’s project.

Donna Pinckley: Southern Depictions

Click here to see more of Southern Depictions.

Donna Pinckley: Southern Depictions

Click here to see more of Southern Depictions.

"The greatest thing a human soul ever does in this world is to see something, and tell what it saw in a plain way. Hundreds of people can talk for one who can think, but thousands can think for one who can see. To see clearly is poetry, prophecy, and religion, all in one." John Ruskin

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Happy Mardi Gras from One, One Thousand!

To all of our readers in New Orleans, Baton Rouge, Mobile, Biloxi, Gulfport, Pass Christian, and other carnival-friendly cities: Have a happy and safe Mardi Gras!

The Rex pageant, Mardi Gras Day, New Orleans, LA, circa 1907The Rex pageant, Mardi Gras Day, New Orleans, LA, circa 1907

Mardi Gras revelers on a New Orleans side street, circa 1905
Alexander Allison, Mardi Gras revelers on a New Orleans side street, circa 1905

Mardi Gras, New Orleans, the Red Pageant, circa 1900-1910 Mardi Gras, New Orleans, the Red Pageant, circa 1900-1910

A group of masked and costumed Mardi Gras revelers on Frenchman Street, New-Orleans, circa 1910
John N. Teunisson, A group of masked and costumed Mardi Gras revelers on Frenchman Street, New Orleans, circa 1910

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Application Deadline February 28:
Michael P. Smith Grant for Documentary Photography

Michael P. Smith photograph 'Jazz Funeral for Frank Dorsey, Mayor of Gert Town, 1973'

Jazz Funeral for Frank Dorsey, Mayor of Gert Town, 1973
by Michael P. Smith © The Historic New Orleans Collection

The deadline is approaching fast for the Michael P. Smith Fund For Documentary Photography (MPS Fund).

Michael P. Smith (1937-2008) was a New Orleans native and award-winning professional freelance photographer. Smith photographed every New Orleans Jazz & Heritage Festival from its inception in 1970 until his retirement in 2004, when he was honored with a major exhibition at the Fair Grounds. In a brilliant career that spanned more than four decades, Smith was an inspiration, a role model, and a mentor to many photographers in New Orleans and beyond.

Created by the New Orleans Photo Alliance (NOPA) to honor Smith’s life and work, the MPS Fund is open to both emerging and established photographers residing in the Gulf Coast states of Texas, Louisiana, Mississippi, Alabama and Florida. Don’t miss your opportunity to apply.

What you get: $5000
Who can apply: Photographers residing in the Gulf Coast states of Texas, Louisiana, Mississippi, Alabama, and Florida
How much you pay: Application fee: $25 + NOPA membership: $60.
Who’s gonna see your work: Tom Rankin, the Director of the Center for Documentary Studies at Duke University, will be the finalists’ juror. The preliminary panel that will select the finalists includes Stella Kramer, independent editor, editor of Fraction J; Gina Martin, Photographer Representative, National Geographic Image Collection; and Kevin Miller, Director of the Southeast Museum of Photography.
When’s the deadline: February 28, 2011

Last year, Jonathan Traviesa (who will be featured on One, One Thousand in March) won the grant for his project of environmental portraits, "New Portraits in New Orleans." The MPS Fund’s inaugural juror, Jeff L. Rosenheim, Curator, Department of Photographs at The Metropolitan Museum of Art, New York, selected Traviesa’s project from ten finalists.

To learn more about the MPS Fund, please visit the New Orleans Photo Alliance’s Michael P. Smith Fund page. For additional information, please contact Lori Waselchuk at 225-907-6695.

Also, be sure to check out the rest of the New Orleans Photo Alliance’s website. NOPA is a diverse group of photographers who joined forces in 2006 to create unity and opportunity for photographers in the Gulf South. Since its inception, NOPA has sponsored photographic exhibitions, workshops, and educational programs. It also coordinates PhotoNOLA, the annual photography festival held each December at venues throughout New Orleans.

"The greatest thing a human soul ever does in this world is to see something, and tell what it saw in a plain way. Hundreds of people can talk for one who can think, but thousands can think for one who can see. To see clearly is poetry, prophecy, and religion, all in one." John Ruskin

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February 2011 Featured Photographer : Kathleen Robbins

What calls us home? After months or years away, is it memory, or people, or even just the land? Kathleen Robbins’ intimate photographs from Into the Flatland invite viewers into her family’s present lives and past history in the Mississippi Delta. Click here to see Robbins’ project.

Kathleen Robbins: Into the Flatland

Click here to see more of Into the Flatland.

Kathleen Robbins: Into the Flatland

Click here to see more of Into the Flatland.

"The greatest thing a human soul ever does in this world is to see something, and tell what it saw in a plain way. Hundreds of people can talk for one who can think, but thousands can think for one who can see. To see clearly is poetry, prophecy, and religion, all in one." John Ruskin

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Visual Influences Series:
Joshua Dudley Greer


Stephen Shore, U.S. 97, South of Klamath Falls, Oregon, 1973

This picture single-handedly made me want to become a color photographer.  I can remember the very first time I saw the image in a slide lecture at MICA and I just gasped.  It’s one of those pictures that has an immediate power and presence, it’s like a punch.  I’ve seen a lot of photographers try to make and remake this kind of picture again and again, combining representation and reality into one frame, but I haven’t seen too many that affect me the way this one did, and still does.

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February 2011 Featured Photographer : Hollis Bennett

In his ongoing project American Weekend, Hollis Bennett explores the curious leisure hours between Friday evening and Monday morning. Bennett’s photographs were taken in Georgia, Kentucky, and Tennessee. Click here to see Bennett’s project.

Hollis Bennett: American Weekend

Click here to see more of American Weekend.

Hollis Bennett: American Weekend

Click here to see more of American Weekend.

"The greatest thing a human soul ever does in this world is to see something, and tell what it saw in a plain way. Hundreds of people can talk for one who can think, but thousands can think for one who can see. To see clearly is poetry, prophecy, and religion, all in one." John Ruskin

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January 2011 Featured Photographer : David Simonton

For more than 20 years, David Simonton has photographed in North Carolina. This small selection from Of This Place offers viewers a glimpse into Simonton’s poem to the Old North State. Click here to see David’s project.

David Simonton: Of This Place

Click here to see more of Of This Place.

David Simonton: Of This Place

Click here to see more of Of This Place.

"The greatest thing a human soul ever does in this world is to see something, and tell what it saw in a plain way. Hundreds of people can talk for one who can think, but thousands can think for one who can see. To see clearly is poetry, prophecy, and religion, all in one." John Ruskin

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